strange empire

Strange Empire of Mr CAR GIANT The latest exploration has taken Steve and I to the no man's land which is in fact a huge supermarket area (in NW10) owned by the mysterious Car Giant boss Geoffrey Warren, and which in 2015 has been valued at £300 million. We are particularly interested in this kingdom... Continue Reading →

4 Generations Women – Water rituals

Listening to stories of drowning in my grandmother's family history Having resurfaced from my recent immersion in the timeless landscape of Southern Bohemia, I am now reflecting back on the experience of filming the four generations, from a distance. As mentioned in my earlier blog entry, about this year's filming, the focus of this summer... Continue Reading →

4 Generations Women – water reflections

Reflections on 4 Generations filming with Paula Onet Chvalkov, August 2018 This year I have been joined here in the countryside by Paula Onet, an independent filmmaker who is working with me as well as another woman (a journalist), on the ambitious 4GenWomen project, which aims to explore the complex web of relationships between women... Continue Reading →

Wormwood: end of July

Here we are again, Steve and I, on our now regular exploration of this part of North West London. Unlike the last mini expedition, when the atmosphere was so thick and still it could be cut with a knife, today everything is nimble, translucent, in a state of flux. There is a palpable sense of... Continue Reading →

sweet muscle flexing

"Outside and inside are both intimate - they are always ready to be reversed, to exchange their hostility. If there exists a border-line surface between such an inside and outside, this surface is painful on both sides." Gaston Bachelard Sweet Muscle Flexing She is seduced by the promise of sweet pleasure, indulgence of the senses,... Continue Reading →

grand union canal

Ongoing explorations and musings, Worm Wood film project in making, in collaboration with Steve J Fowler. Sweltering heat, strange smells and heavy stenches drifting from nearby factories, spawning thick vegetation, the canal transformed into a toxic green carpet, impenetrable, surely hiding all sorts of disturbing content in its depth. Something much worse than the bloated... Continue Reading →

Ophelia’s Last Supper – filming

For the past 6 months I have been developing a concept for a new short film, based on a script I wrote in 2013, which itself was inspired by the Futurist Cookbook by FT Marinetti. The Futurist Cookbook, a wonderfully provocative manifesto to creativity, disguised as a cookbook, became a prompt for new kind of... Continue Reading →

Food and embodiment – day 2

Tereza, Nuala and I spent the afternoon using unusual instruments to peel and dissect food. We are working towards a series of short films, exploring food and embodiment, and the blurring of boundaries between inside and outside, the surface and the interior. I became interested in some of the tools and props associated with beautification:... Continue Reading →

Perceiving Place: Worm Wood reflections

Perceiving Place: Royal College of Art PhD research methods course Convened by Tereza Stehlikova I was asked to run a research methods PhD session called Perceiving Place, focused on exploration of the creative process, inspired by and developed in collaboration with a unique location, and employing multi-sensory methods of research. Working with particular places, the... Continue Reading →

Sensory Workshops document

This is a brief documentation of some of the sensory workshops leading up to a multi-sensory performance Journey to the Interior, which took place at Dissenters Chapel, in May 2017. The workshops begun in November 2016 and continued till June 2017. They were organised and led by Tereza Stehlikova and guest presenters included Michael Isted... Continue Reading →

Film and embodiment: first explorations

Here are some work in progress images and short film clips from the latest explorations of various eating implements, created by artist Nuala Clooney,  Nuala employs materials for their symbolism and relationship to the body and her current practice has focused on tableware and eating implements, subverting them by playing with notions of carnal union,... Continue Reading →

Sensory storytelling: Somerset House

I led two workshops for Perfume: Synesthesia late event at the Somerset House, on 31st August 2017. My concept for these was developed in response to the Perfume exhibition, and builds on my ongoing artistic research into using all our senses to tell stories, by activating memories, emotions and imagination, in order to offer a more... Continue Reading →

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